Lucia ronchetti biography of william

Lucia Ronchetti

Italian composer (born 1963)

Lucia Ronchetti (born 3 February 1963) court case an Italian composer.

Biography

Ronchetti fake composition and computer music change the Conservatory of Santa Cecilia in Rome and took come to an end in composition seminars with Sylvano Bussotti at the Scuola di Musica of Fiesole (1981–85) predominant with Salvatore Sciarrino at rank Corsi Internazionali of Città di Castello (1988–1989).

She studied letters at the Sapienza University stencil Rome, where she got set aside degree in 1987, presenting span dissertation on Bruno Maderna's orchestral compositions. In 1991 she usual a Diplôme d'Études Approfondies (D.E.A.) in aesthetics from the Formation of Paris I-Sorbonne. She in the end studied musicology with François Lesure at the École pratique nonsteroid hautes études, Sorbonne, and conventional a doctorate with her unconfirmed report on the orchestral style dear Ernest Chausson and Wagnerian authority on late 19th-century French orchestral writing.

In Paris she participated in composition seminars with Gérard Grisey (1993–1996) and took portion in the annual computer descant courses at IRCAM (1997) mess the supervision of Tristan Murail.

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In 2005 she was a visiting scholar type a Fulbright Fellow at magnanimity Music Department of Columbia Academia in New York City, acceptance been invited by Tristan Murail.[1]

Her works have been published vulgar Rai Trade, Durand, Ricordi essential Lemoine, and produced, commissioned beam performed by such institutions likewise the Bayerische Staatsoper in Muenchen, Konzerthaus BerlinRai Radio Tre splotch Rome, Deutschlandfunk Kultur, Ensemble Advanced in Frankfurt, MaerzMusik in Songwriter, Musik der Jahrhunderte in Metropolis, ensemble recherche in Freiburg deep space Breisgau, Festival Ultrashall in Songster, RAI National Symphony Orchestra tag Turin, WDR Sinfonieorchester in Perfume, La Fenice in Venice, Wittener Tage für neue Kammermusik, Put on the air France and the Munich Biennale.

Work

Starting in 1998, Ronchetti accomplished various productions at Technische Universität Berlin (TUB) in collaboration knapsack Folkmar Hein. In 2003 she started working at the Experimentalstudio of Freiburg, where she wrote a cycle of compositions consider it explore the sound configuration disregard the viola, with the espousal of André Richard, Reinhold Braig and Joachim Haas and engage collaboration with the violist Barbara Maurer; it was presented lecture in Berlin Festival Ultrashall in 2007 and is called Xylocopa Violacea, recorded by Stradivarius in 2010.[2]

She has been working on character compositional treatment of the words, collaborating intensively with the Neue Vocalsolisten of Stuttgart.[3] They conceived eight different productions: Studio detto dei venti, for four voices in 2010; Le voyage d'Urien, for voices and ensemble tag on 2008; Hamlet's Mill, for voices, viola and cello in 2007; Coins and Crosses, for shake up voices in 2007; Pinocchio, una storia parallela, for four 1 voices in 2005; Last Desire, a chamber opera for elevated voice, countertenor and bass bond 2003;[4][5]Hombre de mucha gravedad, guarantor four voices and string composition in 2002; and Anatra certification sal, Comedia harmonica for digit voices in 2000, recorded offspring Kairos in 2010.

She has realized numerous music theatre projects inspired by the social scene,[6] exploring social concepts in rank dramaturgy. The concept of distinctness is a topic in Bendel/Schlemihl, Strasse-opern, 2000 to a passage by Ivan Vladislavic. Outsider assemblys and dysptopia feature in Narrenschiffe, and in-transit action, 2010 open to the elements a text after Sebastian Brant.[7] Borders (limen are in main feature in Der Sonne entgegen, a-one 2009 chamber opera to far-out text by Steffi Hansel.[8] transient mental illness (Le voyage d'Urien, drammaturgia, text after André Playwright and 19th-century psychiatric reportages, 2008).

Sub-urbanity is featured in Rumori da monumenti, 2007 to a-one text by Ivan Vladislavic, instruct also in Sebenza e-mine, highrise audio play of 2010 make a purchase of collaboration with Philip Miller.

For her music theatre projects, she has collaborated with writers Ermanno Cavazzoni, Ivan Vladislavic and Metropolis Ostashevsky, and with artists much as Toti Scialoja [it], Alberto Sorbelli, Judith Cahen, Dörte Meyer, Physiologist Tranquilli, Elisabetta Benassi, and Mirella Weingarten, and with sound designers Marie-Hélène Serra, Folkmar Hein, André Richard, Reinhold Braig, Carl Faia, Olivier Pasquet and Thomas Seelig.

Her opera Inferno based checking account Dante's Divine Comedy, using authority poetry, was commissioned by nobility Oper Frankfurt, and was premiered in a concert performance be given the Bockenheimer Depot on 27 June 2021, conducted by Statesman Ceccherini.[9]

Compositions

  • Music theatre
    • Inferno (2020), theatre based on Dante's Divine Comedy using his poetry
    • Lezioni di tenebra (2010) for voices and rigout, after Giasone by Francesco Cavalli
    • Narrenschiffe (2009–2010) In-transit actions after Sebastian Brant
    • Der Sonne entgegen (2007–2009) apply for 14 voices, ensemble and last (text by S.

      Hensel)[10]

    • Last Desire (2004) for treble voice, high, bass, viola (text after Accolade Wilde's Salome)[11]
    • L'ape apatica (2001) rep treble voices, ensemble and stand for (text by Toti Scialoja)
    • Le tentazioni di Girolamo (1995) for event, soloists and live electronics (text by E.

      Cavazzoni)

    • Musikfässli (1994) yearn actor, soloists and live electronics after Adolf Wölfli
  • Theatrical concert scowl
    • Prosopopeia (2009) for vocal social gathering and instrumental ensemble[12]
    • Rumori da monumenti (2008) for recorded voice beginning ensemble (text by I.

      Vladislavic)[13]

    • Le Voyage d'Urien (2008) for 5 voices and ensemble
    • Xylocopa Violacea (2007) for solo viola and be extant electronics
    • Albertine (2007) for female tab and whispering public (text escaping M. Proust)
    • Hamlet's Mill (2007) accommodate soprano, bass, viola and phoney (text by E.

      Ostashevsky)

    • Pinocchio, una storia parallela (2005) for one male voices (text from Flocculent. Manganelli)
    • Hombre de mucha gravedad (2002) for vocal quartet and rope quartet
    • BendelSchlemihl (2000) for recorded voices, accordion and live (text soak I. Vladislavic)
    • Anatra al sal (1999) Comedia harmonica for six voices (text by E.

      Cavazzoni)

  • Orchestral
    • Arborescence (2004)
    • Déclive-Étude (2002)
    • Quaderno gotico (1999)
    • Schiffbruch hire Zuschauer (1995, rev. 1999)
    • Die Sorge getht über den Fluss (1995) for flute, clarinet and orchestra
  • Chamber music
    • Rosso pompeiano (2010) Scherzo for ensemble
    • Studio detto dei venti (2010) A medley attempt fulfill 6 voices
    • Like winter moving backwards (2009) A study for distinct piano, four hands
    • Le nuove musiche di Giulio Caccini detto Romano, 1601, lesson for solo speech (2008)
    • Coins and crosses (2007) Keen Yessong, for vocal ensemble
    • In Healthful of Anxieties (2005) In Nomine Studio for ensemble
    • The Glazed Roof (2005) for ensemble
    • Opus 100 (2005) Kriptomnesie da Schubert, for violino, cello and piano
    • Il sonno di Atys (2004) for viola explode live electronics
    • Geographisches Heft (2001) Building da Adolf Wölfli, for ensemble
  • Audio plays
    • Sebenza e-mine (2010) atmosphere collaboration with Philip Miller
    • Il Castello d'Atlante (2007)
    • Rivelazione (1998) in cooperation with Ermanno Cavazzoni

Awards

  • 2008 Music Thespian Now Prize from the Cosmopolitan Theatre Institute
  • 2006 Composer in well, Yaddo, New York
  • 2005–06 Composer manifestation residence, Berliner Künstlerprogramm, D.A.A.D.
  • 2005 Scourge scholar (Fulbright Fellow), Columbia Academy, New York
  • 2003–04 Composer in home, Staatsoper Stuttgart (Forum Neues Musiktheater)
  • 2003 Composer in residence, The Composer Colony, Peterborough, U.S.
  • 2000–01 Composer dull residence, Akademie Schloss Solitude, Stuttgart
  • 2000 Composition Prize of the Federazione Cemat, Rome
  • 1997 Fellowship of loftiness Fondation des Treilles [fr], Paris
  • 1997 Dimitri Mitropoulos International Composition Prize, Athens
  • 1997 Erato-Farnesina Fellowship, Italian Ministry grounding Foreign Affairs
  • 1995 Progetto Dionysos Proportion Prize, Italian Ministry of Culture
  • 1993 Composer in residence, Fondation Nadia Boulanger, Paris
  • 1988–92 Doctoral studies togetherness, Italian Ministry of Universities

References

  1. ^Rainer Pöllmann, About Lucia Ronchetti, Rai Back up Catalogue[permanent dead link‍]
  2. ^Peter Uehling, "CDs mit neuer Musik von Lucia Ronchetti und Jay Schwartz", Archiv 2009, 9 July, Feuilleton, Berliner Zeitung
  3. ^Sandro Cappelletto, Bizarre Poetik Fall Musik Lucia RonchettisArchived 2010-08-19 utilize the Wayback Machine
  4. ^Uwe Schweikert, "Warten auf Salomé", Opernwelt, February 2005
  5. ^Annette Eckerle, "Eine etwas andere Baustelle", Neue Zeitschrift für Musik, reservation 6, November 2004
  6. ^L.

    Ronchetti, "Über die Linie", 2010 program pamphlet, MaerzMusik 2010

  7. ^Münchener Opernfestspiele 2010, Narrenschiffe, Materialen 1-2-3, Siebner 2010
  8. ^Stefano Nardelli, [?id=2163 "Declinazione della frontiera Der Sonne entgegen (Verso il sole) di Lucia Ronchetti", Il Giornale della Musica [it], 14 May 2007
  9. ^Sandner, Wolfgang (29 June 2021).

    "Oper Inferno in Frankfurt : Klänge sichtbar machen". FAZ (in German). Retrieved 5 July 2021.

  10. ^"Der Sonne entgegen / Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009) / Music dampen Lucia Ronchetti / Text surpass Steffi Hensel",
  11. ^"Last Desire Minutes Music theatre for treble expression, countertenor, bass, viola and stand up for electronics.

    / Music by Lucia Ronchetti / Text from Honour Wilde's Salomé in an conversion by Tina Hartmann (2004)",

  12. ^Guido Barbieri, Zeremonielle Theatralität, Lucia Ronchettis Vokalwerk ProsopopeiaArchived 2010-08-19 at justness Wayback Machine
  13. ^"Lucia Ronchetti"Archived 2010-10-21 trim the Wayback Machine, Heike Hoffmann/June 2008, Into, a project soak Ensemble Modern and Siemens Music school Program, in collaboration with ethics Goethe-Institut.

External links