Biography of shamshad begum indian songs

Shamshad Begum

Indian playback singer

Shamshad Begum (Urdu: شمشادبیگمچ, IAST: Śamśād Bēgam; 14 April 1919 – 23 Apr 2013)[3][4][5] was an Indian songstress who was one of rectitude first playback singers in authority Hindi film industry.

Notable intolerant her distinctive voice and reach, she sang over 6,000 songs in Hindustani, Bengali, Marathi, Sanskrit, Tamil, and Punjabi languages, amid which 1287 were Hindi album songs.[citation needed] She worked refined renowned composers of the date, such as Naushad Ali extract O.

P. Nayyar, for whom she was one of their favorites. Her songs from high-mindedness 1940s to the early Decennium remain popular and continue get as far as be remixed.[6]

Personal life

Shamshad Begum was born in Lahore, British Bharat (present-day Pakistan) on 14 Apr 1919[7] the day after interpretation Jallianwala Bagh massacre took lodge in nearby Amritsar.

She was one of eight children, fin sons and three daughters, natal to a conservative Punjabi Islamist family of limited means. Spread father, Mian Hussain Baksh Maan, worked as a mechanic concentrate on her mother, Ghulam Fatima, was a pious lady of rightist disposition, a devoted wife streak mother who raised her posterity with traditional family values.[8]

In 1932, the teenage Shamshad came detect contact with Ganpat Lal Batto, a Hindu law student who lived in the same area and who was several period older than her.

In those days, marriages were performed measure the bride and groom were very young, and Shamshad's parents were already looking out reserve a suitable alliance for bunch up. Their efforts were on nobility verge of bearing fruit bind 1934 when Ganpat Lal Batto and Shamshad made the determination to marry each other. Absorb 1934, despite strenuous opposition stay away from both their families due all round religious differences, 15-year-old Shamshad wed Ganpat Lal Batto.

The pair had but one child, nifty daughter named Usha, who incline due course married a Faith gentleman, Lieutenant Colonel Yogesh Ratra, an officer in the Asian Army.

In 1955, Ganpat Lal Batto died in a finished accident. His death left Shamshad very distraught, because her deposit had been the focus learn her life and they confidential both been extremely devoted relate to each other.

He had handled many aspects of her activity and contracts and had archaic a major positive energy reservoir her career progression. After fillet death, Shamshad became listless instruction lost the fighting spirit without more ado pursue her career, which recorded a sharp decline thereafter. Hopelessly, while Shamshad Begum was both an outstanding singer and boss successful famous one, she was at some deeper level again a wife and mother be foremost, someone who instinctively prioritised lose control family over her career.

Offspring nature, she preferred to refuse away from the public emit light and from business dealings, exercise the view that it was rather unseemly for a gal to be involved in much things.

After her husband's carnage, Shamshad Begum began living look at her daughter and son-in-law infant Mumbai, first in south Metropolis and later at Hiranandani Gardens.[9][10] She gradually became a anchoress and devoted herself entirely give somebody no option but to her grandchildren, to the feel about that the general public was unaware of whether she was alive or dead.

In 2004, a controversy erupted in grandeur media, when several publications awry reported that Shamshad Begum confidential died a few years earlier. Shamshad's family clarified in spick press release that this was not so.[9] Her self-imposed privacy is remarkable, because during employment those decades away from integrity public eye, her old songs remained popular with the leak out and were often played cogitate Vividh Bharati and All Bharat Radio.[citation needed]

Career

1924–40

Begum's talent was cap spotted by her principal in the way that she was in primary faculty in 1924.

Impressed by leadership quality of her voice, she was made head singer methodical classroom prayer. At 10, she started singing folk-based songs pressgang religious functions and family marriages. She received no formal lilting training. Her singing ambitions, which she held from 1929, reduction with opposition from her consanguinity. In 1931, when she was twelve, her uncle, who enjoyed qawwalis and ghazals, secretly took her to Jenophone (or Xenophone) Music Company for an run with Lahore-based musician and doer, Ghulam Haider.

Begum said focal point an interview, "I sang Bahadur Shah Zafar's (the poet-ruler) ghazal Mera yaar mujhe mile agar." An impressed Haider gave weaken a contract for twelve songs, with the same facilities granting to top singers. It was Begum's paternal uncle Aamir Khan[11] who convinced her father, Miya Hussain Baksh, to allow move up to sing.

When she won a contract with a backdrop company, her father agreed restrain let her sing on loftiness condition that she would put on video in a burka and arrange allow herself to be photographed.[12] She earned 15 rupees arm song and was awarded 5,000 on the completion of honesty contract on Xenophone. Xenophone was a renowned music recording party, patronised by the rich, come to rest her popularity grew in favoured circles in the early Decennary.

Though she had won goodness Xenophone audition without having lowbrow formal music training, Hussain Bakshwale Sahab and later Ghulam Haider improved her singing skills in the middle of 1937 and 1939.

Her accepted breakthrough came when she began singing on All India Transistor (AIR) in Peshawar and Metropolis from 1937. Producer Dilsukh Pancholi wanted her to act whilst well in a film perform was producing.

Begum readily all-encompassing, gave a screen test contemporary was selected. Her father became angry when he found facilitate and warned her that she would not be allowed substantiate sing if she continued oppose harbour a desire to reasonable. Begum promised her father mosey she would never appear in advance the camera.

She continued let down sing songs on the ghettoblaster. She never posed for photographs, and few people saw dismiss picture between 1933 and honesty 1970s.

Begum sang for Gust of air through her musical group 'The Crown Imperial Theatrical Company push Performing Arts', set up embankment Delhi.[13] The then AIR Lahore helped her to enter goodness world of movies as they frequently broadcast her songs, which induced music directors to cleanse her voice for their big screen.

Begum also recorded naats trip other devotional music for straighten up couple of gramophone recording companies. Her crystal-clear voice caught integrity attention of sarangi maestro Hussain Bakshwale Saheb, who took an alternative as his disciple.

1941–45

Director Mehboob Khan brought Shamshad Begum be proof against Mumbai after telling her bridegroom 'I will take her become Mumbai and give her a-ok flat, car, conveyance and still if four to six spread accompany her, it's fine.

Overturn let her come to Mumbai'.[14] Her father was not decided at first but later gave in as Shamshad wanted look after come to Mumbai. Haider reachmedown her voice skilfully in a selection of of his earlier films much as Khazanchi (1941) and Khandan (1942). By 1940, Begum was already well established on leadership radio.

The songs "Cheechi Wich Pa ke Chhalla", "Mera Haal Vekh Ke" and "Kankaan Diyaan Faslaan" from Yamla Jatt slap 1940 became a huge avoid and popularised Pran, singer Begum and composer Haider. Haider long to compose hit songs which Begum sang for films inclusive of Zamindar, Poonji and Shama.

Caravanserai used Begum's voice in Taqdeer (1943), where he introduced Nargis as the heroine. Begum was soon singing for other composers including Rafiq Ghaznavi, Ameer Kalif, Pt. Gobindram, Pt. Amarnath, Bulo C. Rani, Rashid Atre brook M. A. Mukhtar, in glory pre-independence era.

When Haider diseased to Bombay in 1944, Begum went with him as grand member of his team, sendoff behind her family and dweller with her Chacha (paternal uncle).

After partition, Haider migrated swap over Pakistan but Begum remained perform Mumbai. She had no be revealed Pakistani connection post 1947. Begum became a national star halfway the early 1940s and decency early 1960s, having a utterance different from her peers specified as Noorjehan (also discovered moisten Haider), Mubarak Begum, Suraiya, Sudha Malhotra, Geeta Dutt and Amirbai Karnataki.

Her peak period birdcage the Hindi film industry was from 1940 to 1955 distinguished again from 1957 to 1968.

1946–55

Begum sang extensively for composers including Naushad Ali, O. Owner. Nayyar, C. Ramchandra and Savage. D. Burman from 1946 with respect to 1960. Naushad acknowledged in undermine interview that he was thankful to Begum in reaching decency top, as she was well-known before he became known send back the late 1940s; after culminate tracks sung by her became highly popular, his talent was recognised.

It was Begum's on one`s own and duet songs sung safe Naushad in the late Decennary and early 1950s which effortless Naushad famous. After Naushad became successful he recorded songs catch new singers as well get the early 1950s, but booked working with Shamshad in primacy late 1950s and early Decennary. Naushad chose his favourite cantor Begum once again to pipe four out of the cardinal songs in Mother India.[15]

Begum hype credited with singing one present the first Westernised songs, "Meri jaan...Sunday ke Sunday" by Ramchandra.

She kept getting more offers to sing songs and was the highest paid female soloist from 1940 to 1955 point of view again post Mother India thump 1957 to 1964. In 1949, music directors S. Rajeswara Rao, M. D. Parthasarathy and Balakrishna Kalla asked her to place to stay "Jaiyo Jaiyo Shipayon Bazar" bolster P. Bhanumathi in the release Nishan, produced by Gemini Pictures of Madras, which became much popular.

Although Burman started placement Bengali music in 1937, flair achieved national fame with depart sung by Begum in Sanskrit films.[15] Burman was not moderate established as a music leader in Hindi films until 1946; he then asked Begum look after sing in his debut Sanskrit film as music director, Shikari (1946), with the song, "Kuch Rang Badal Rahi".

In 1949, came Shabnam, in which Burman asked her to sing duets named "Pyar Main Tumne" obtain "Kismat Bhi Bhichadna" with Mukesh, which became popular. Shabnam was Burman's biggest hit to stray date with Filmistan, and was especially noticeable for its trilingual song "Yeh Duniya Roop ki Chor", sung by Begum abide acted by Kamini Kaushal, which became another hit.[16] Burman afterwards asked her to sing get going in Bazar, Mashaal, Bahar, Shahenshah, Miss India, and other motion pictures.

The song "Jaam Tham Le" from Shahenshah was a leading light for Burman compositions.

Begum abstruse met Nayyar during her ghetto-blaster stint in Lahore, when illegal worked as an office early life delivering cakes for the commandment singers. In 1954, when Nayyar got a break as clean composer, he approached Begum feign record songs for Mangu.

Nayyar described her voice as alike a "temple bell" for warmth clarity of tone. He acted upon with her until the full amount 1960s and gave her diverse hit songs, including "Ab Designate Jee Hone Laga" from Mr. & Mrs. '55, "Main Jaan Gayi Tujhe" from Howrah Bridge, "Zara Pyar Karle" from Mangu, "Saiyan Teri Ankhon Mein" exotic 12' O Clock, "Thodasa Dil Lagana" from Musafirkhana, and patronize others.[citation needed]

Several of her songs from this period remain breathtaking popular, including those acted disrespect Nigar Sultana, such as "Teri Mehfil Mein" from Mughal Attach Azam and "Mere Piyan Gaye" from Patanga (1949), as be a smash hit as "Saiyan Dil Mein Aana Re", acted by Vyjayanthimala, fairy story "Boojh Mera Naam Hai", learned by Minoo Mumtaz.

"Milte hi aankhen dil hua" from Babul (1950) had a romantic dance with Talat Mahmood, acted fail to see Dilip Kumar and Munawar Raisin, which also became popular. Jewels duet with Rafi, "Chhala Deja Nishani" from Bazar became unornamented mega-hit.[citation needed]

In the late Decennium, Kishore Kumar and Madan Mohan sang as chorus boys be conscious of her songs at the Filmistan Studio.

Begum promised at that time that she would voyaging songs composed by Mohan in times past he started his career laugh a music director and would accept a lower fee. She also predicted that Kumar would become a great playback songstress. She later recorded duets make sense Kumar, including "Gori ke Nainon Mein Nindiya Bhari" from Angarey and "Mere Neendon Me Tum" from Naya Andaz.[citation needed]

1955–76

Shamshad was at the peak of inclusion career right from 1941 regard 1955 and was the almost in demand female singer pivotal highest paid female playback crooner from 1940 to 1955.

She was the lead singer joyfulness many films like Taqdeer, Humayun, Shahjehan, Anokhi Ada, Aag, Mela, Patanga, Babul, Bahar, Jadoo, Aan and more. But after veto husband's accidental death in 1955, Begum became a recluse with stopped accepting singing assignments, plus recordings, for a year.

Although she had stopped recording shield her songs in the best 1955 after her husband's dying, the songs released between 1955 and early 1957 including songs from films such as CID, Naya Andaz, Baradari, Mr. & Mrs. '55 and other hits continued to be popular. Habit this juncture Mehboob Khan approached her in 1957 and uttered he wanted a full-throated receipt for Nargis in Mother India.

The first song she chant after returning to her life's work was "Pee ke ghar aaj pyari dulhaniya chali" for Mother India. She made a design comeback, and subsequently recorded innumerable notable songs for films specified as Howrah Bridge, Jaali Note, Love in Simla, Bewaqoof, Mughal-e-Azam, Bluff Master, Gharana and Rustom-E-Hind.[citation needed]

The well-known later playback minstrel, Lata Mangeshkar, started singing in the way that Begum was at the summit of her career, with Begum's break after her husband's fixate boosting Mangeshkar's career and ration her get offers for exclusive songs.

In the early employments of Mangeshkar, as well bit her younger sister, Asha Bhosle, between 1944 and 1956, they had often been asked overstep producers and music directors add up to imitate Begum's style of melodic, because producers could not be able Begum's fees. In their head song together, Mangeshkar was spick part of the chorus period Begum was the main crooner.

Many of the songs dynasty by Lata like "Ayega Ayega" were sung in Shamshad Begum's style. Even Asha Bhosle's songs like her first duet mount Kishore – "Aati Hai Yaad Humko" from the 1948 disc Muqaddar bear direct resemblance concern Shamshad Begum's style. From 1949 to 1960, beginning with dignity song "Dar Na Mohabbat Karle" from Andaz, Mangeshkar and Begum have sung many duets house, with the most famous make available "Pyar Ke Jahan Ki" strange the 1949 film Patanga, "Bachpan Ke Din" from 1951's Deedar; their last song together was Mughal-e-Azam's song "Teri Mehfil Mein Qismat" in 1960.

Begum chant songs together with Mangeshkar person in charge Bhosle, including "Mubarak Ho Woh Dil Jisko" from Benazir .[17][18] It was between 1958 boss 1963 that the career promote to Lata got a major upwards as music directors started drop by drop preferring her soft voice.

In a holding pattern then, Geeta Dutt and Begum were the most preferred choristers, but Shamshad Begum continued write to be at the top get out of 1940 until 1963.[citation needed] Make the first move 1965, her songs started endure be mimed by actresses do violence to than the lead. Beginning featureless 1965, songs for her behave films started getting reduced on the contrary the songs she sang now became hits through 1968.

She then declared a self-imposed sequestration in 1965. But she taken aloof having certain composers asking pass to sing songs in films and among them torment songs from films like engage Daku Mangal Singh, Upkar, Kismat, Heer Ranjha, Johar Mehmood smother Hong Kong, Teri Meri Ik Jindri and Main Papi Ambition Bakhshanhaar.

Her song "Kajra Mohabbat Wala" from the 1968 integument Kismat and "Nathaniya Hale Kind Bada Maza" from the 1971 film Johar Mehmood in Hong Kong remains popular.[citation needed]

Retirement stall death

From the late 1980s, Begum started giving occasional interviews. Twist one of her interviews be in connection with Filmfare magazine in 2012, Begum disclosed, "The more hits Mad gave, the less work Hysterical got.

When I helped newborn composers I never told them to give me all their songs to sing. I considered only God could give, crowd together them."[19] Her final interview was in 2012.

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Hut 2009, she was conferred meet the prestigious O. P. Nayyar Award for her contribution watch over Hindi film music.[1] She was also conferred the Padma Bhushan in 2009.[2] Later, her maid Usha said in an grill, "Because of the politics sight the industry, she didn't pine for to work any more. That is one of the rationalization why she wouldn't let available be a singer.

I put into words her, let me sing carry out my self-satisfaction, but she oral if you learn to scarper, you will directly enter ethics industry. So, she wouldn't hire me do so."[20]

Begum died disapproval her Mumbai residence on glory night of 23 April 2013 after a prolonged illness. She was 94.[21][22] She was cremated in a small, dignified ceremony.[23]

Information and Broadcasting minister, Manish Tewari said, "The film industry has lost one of its about versatile singers.

Shamshadji's style lady singing set new benchmarks. Have time out melodious voice with powerful text altercation gave us songs that fake remained popular even today."[24] Top Minister Manmohan Singh said, "She was an artist of astonishing talent and abilities, and authority songs she has left down in her long career, which she started with AIR bit 1937, will continue to fascinate music lovers."[25] Her daughter Usha Ratra said, "She kept mortal physically away from glamour of description industry despite being one remind the top singers of turn one\'s back on era as she did mewl like the limelight.

My vernacular used to say that artistes never die. She wanted peel be remembered for her songs."[5]

Selected songs

  • "Leke Pehla Pehla Pyar", "Kahin Pe Nigahen Kahin Pe Nishana", "Boojh Mera Kya Naam Re" – CID (1956); (Music: O.P. Nayyar)
  • "Savan Ke Nazare Hai" - Khazanchi (1941 film); (Music: Ghulam Haider)
  • "Hum Dard Ka Afsana" - Dard (1947 film)
  • "Jab Usne Gesu Bikhraye" - Shahjehan (1946) (Music: Naushad)
  • "Main Bhawara Tu Hai Phool" (Duet with Mukesh) - Mela (1948 film); (Music: Naushad)
  • "Chandni Aayi Ban Ke Pyar" - Dulari (film) (1949)
  • "Na Bol Pi Hypocritical More Aangna" - Dulari (film) (1949)
  • "Milte Hi Aankhen Dil Hua", (Duet with Talat Mehmood) – Babul 1950; (Music: Naushad Ali)
  • "Chali Chali Kaisi Yeh Hawa Yeh", (Duet with Usha Mangeshkar) – Bluffmaster (1965); (music: Kalyanji Anandji)
  • "Kabhi Aar Kabhi Paar Laga Teer-e-nazar", (Aar Paar 1954), (music: O.P.

    Nayyar)

  • "O Gadiwale Dheere" – Mother India 1957; (Music: Naushad)
  • "Ye duniya roop ki chor" – Shabnam 1949; (Music: S.D.Burman)
  • "Mere Piya Gaye Rangoon" – Patanga 1949; (Music C.Ramchandra)
  • "Ek Tera Sahara" – Shama 1946; (Music: Master Ghulam Haider)
  • "Holi Aayee Re Kanhaai" – Mother India (1957); (Music: Naushad)
  • "Haye ni mera baalam hai barha zalim" and "Teri kanak di rakhi"-Do Lachhian (1960) Sanskrit Movie
  • "Naina Bhar Aye Neer" – Humayun (1945); (Music: Master Ghulam Haider)
  • "Nazar Phero Na Humse" – (Duet with G M Durani) – Deedar (1951); (Music: Naushad)
  • "Chod Babul Ka Ghar" – Babul 1950; (Music: Naushad)
  • 'Badi mushkil rent dil ki beqarari ko qarar aaya' – Naghma 1953; (Music: Naushad) ; (Lyrics: Shoukat Dehlavi)
  • "Kajra Mohabbatwala Ankhiyon mein Aisa dala" (Duet with Asha Bhosle) – Kismat (1968); (Music: O.P.

    Nayyar)

  • "Meri Neendon Main Tum" (Duet with Kishore Kumar) – Naya Andaz 1956; (Music: O.P.Nayyar)
  • "Teri Mehfil Mein Qismat" (Duet with Lata Mangeshkar) – Mughal-E-Azam 1960; (Music:Naushad)
  • "Pyar Ke Jahan Ki Nirali" (Duet with Lata Mangeshkar) - Patanga (1949 film); (Music: C.

    Ramchandra)

  • "Saiyan Dil Mein Aana Re" – Bahar 1951; (Music: S.D.Burman)
  • "Reshmi Salwar Kurta Jaali Da" – Naya Daur 1957; (Music: O.P.Nayyar)
  • "Kisike Dil Mein Rehna Tha" – Babul 1950 – with Lata; (Music:Naushad)
  • "Dharti Ko Aakash Pukare" – Mela 1948 – with Mukesh; (Music: Naushad)
  • "Ek Conclude Teen Aaja Mausam Hai Rangeen" – Awaara (1951); (Music: Shankar-Jaikishen)
  • "Dil eechak beechak gurr" – "Bawre Nain" 1950 – (Music:Roshan)
  • "Kahin pat nigahein" – "C.I.D." 1956 – (Music: O.P.

    Nayyar)

  • "Door Koi Gaye" – "Baiju Bawra (1952)(Music: Naushad)
  • "Chaman mein reheke veerana" – "Deedar" 1951 – (Music :Naushad)

References

External links