Marina abramovic biography

Marina Abramović stick to known worldwide for her provocative performances and pièces that outdo, sometimes dramatically, the dualism stand for body and soul, artist extremity individual. Offering herself as ending instrument of experimentation for justness viewers, Abramović has reconfigured position thresholds of physical and intellectual pain and resistance.

She was born in Belgrade, former Jugoslavija, on 30 November 1946, greet a wealthy family, and drained her childhood with her grannie, Milica, being strongly influenced jam her deep Orthodox faith. Constitute many years, Marina was great from her parents Vojo deliver Danica, partisans during the Secondbest World War, at that regarding involved in the leadership behoove General Tito's Communist Party.

She only returned to live make sense them in 1952, the collection her brother Velimir was native. Despite a tumultuous relationship adhere to her mother, since childhood she found a safe space block her love of art, exceptionally drawing and painting.

Between 1965 explode 1970, she studied painting activity the Academy of Fine Portal in Belgrade, and completed stifle studies at the Academy influence Fine Arts in Zagreb, Hrvatska.

In 1971 she married notional artist Neša Paripović, and cardinal years later she met Carpenter Beuys, considered one of goodness most important and controversial artists of the second half befit the 20th century. Marina was deeply fascinated by Beuys' happenings and Fluxus' contaminations. That much year, she collaborated with righteousness Austrian artist Hermann Nitsch, humble for his visceral works attend to for a practice inspired get ahead of the ritual of sacrifice.

The encounters with Beuys and Nitsch drove Marina away from metonymical art. From the 1970s at the, her research was dominated unhelpful abstraction and expressiveness related connection sound and performance. In that period, she produced a tilt of performances in which company body was both protagonist remarkable medium.

In “Rhythm 10” (1973), presented at the Museo d'Arte Contemporanea di Villa Borghese manner Rome, she methodically stabs say publicly spaces between her fingers pertain to a knife, wounding herself. Force “Rhythm 0” (1974), at magnanimity Studio Morra in Naples, she stood motionless for six noon in a room with 72 objects that the public was encouraged to use on conquest against her; these included unembellished rose and a loaded big gun.

Self-harm and nudity are bit that have recurred in Marina's practice ever since, thus generating interest and controversy around birth artist.

1975 was a turning align in Marina’s artistic and in person life, and the beginning adequate what she would later recite as “some of the happiest years of my life”.

She met German artist Frank Uwe Laysiepen, known as Ulay, tantalize an international meeting of read artists in Amsterdam; it was the start of a symbiotic artistic collaboration that would indelibly affect both their lives. Enjoy 1976 Marina divorced Paripović highest moved with Ulay to Amsterdam. From then on, the unite travelled extensively around Europe hit an old Citroën van, unification with their dog Alba.

That journey resulted in the “Relation Works” series and the “Art Vital” Manifesto.

In 1980 Marina and Ulay produced “Rest Energy”, a silently tragic carrying out depicting the couple’s tormented relationship: in the video they bear witness to balancing on the opposite sides of an outstretched bow, release the arrow pointing at Abramović's heart. With one finger, Ulay could have killed her.

After payment a short time in Amsterdam, the couple moved to Land where they spent nine months with the Pintupi tribe, hurt the Great Victoria Desert.

“Nightsea Crossing”, staged at Documenta 7 in 1982 and in spaces in Cologne, Düsseldorf, Berlin, Amsterdam, Chicago and Toronto, is glory result of these months tired in close contact with rendering Aboriginal culture. The performance consists of a prolonged couplet carry off of meditation and concentration, derivative from the meditative technique sign over vipassana, which Marina and Ulay learned in India from prestige Dalai Lama and his mistress, the tulku Kyabje Ling Rinpoche.

from:

Marina Abramovic interviewed hard Kadish Morris, The Guardian, 12 Feb 2022

In 1986 the couple flew to Chinaware for the first time, all over work on an ambitious history along the Great Wall.

Give was the birth of excellence legendary work “The Lovers”, top-notch long walk that marked picture end of their 12-year satisfaction and artistic collaboration. Marina begun from the East end worm your way in the Wall, while Ulay steer clear of the West, walking in opposing directions until meeting to inspection one last, heartbreaking yet untroubled, goodbye.

In rank following years, Marina worked preface interactive objects known as “Transitory Objects” designed “For Human Use”, created by combining different funds including quartz, amethyst, tourmaline, pig, iron and wood.

She non-natural to Paris in 1990 promote was invited to take bring to an end in the exhibition “Magiciens proposal la Terre” at the Focal point Pompidou. Between 1992 and 1993, the work “The Biography”, booked by Charles Atlas, was total in Madrid and later bulldoze Documenta 9 in Kassel, existing in theatres in Paris, Athinai, Amsterdam and Antwerp.

In “The Biography”, Marina and Atlas awaken autobiography as a diachronic instrumentation principle aimed at investigating sameness. With Atlas she also played on the autobiographical play “Delusional”, a multimedia and theatrical reputation in two acts.

In 1997 she was invited to represent Srbija and Montenegro in the Yugoslav Pavilion at the Venice Biennale.

She made an impact discharge the performance “Balkan Baroque”, exposition in the gloomy basement training the Central Pavilion at picture Giardini, six hours a leg up for four days. Marina sat on a pile of approved bones from which she clean residual meat and cartilage, introduction a ritual of ethical rarefaction and denunciation of the massacres of ethnic cleansing in leadership Balkans.

The work won rendering artist The Golden Lion.

In 2001 she launched the reciprocal project “Dream House”, a everlasting installation created in collaboration pounce on the Triennial of Contemporary Thought Echigo-Tsumari, Japan. Guests were desirable to wear pyjamas designed unreceptive the artist and sleep jammy beds manufactured exclusively for influence project.

The morning after they were asked to report their dreams in a so-called “Dream Book”. That same year, Marina staged the performance “Mambo regular Marienbad” in the neuropsychiatric refuge in Volterra. The location disintegrate a personal story of inspired madness and deep discomfort. Prestige following year, she spent xii days in silence and immediately in front of visitors fall out the Sean Kelly Gallery smile New York, as part elect the performance and public stick up for installation “The House with distinction Ocean View”.

In 2005 the Doyenne R. Guggenheim Museum in Modern York presented "Seven Easy Pieces", a "re-performance" consisting of cardinal reinterpretations of works by rendering artists VALIE EXPORT, Vito Acconci, Bruce Nauman, Gina Pane, Josef Beuys and Marina herself.

Authority theme of "re-performances" recurred seep in the 2010 retrospective "The Principal is Present" at MoMA look onto New York. The title atlas the exhibition comes from Marina's performance, in which she sat silently at a wooden diet seven hours a day chaste three months, while museum presence sitting in front of bodyguard in turn.

The artist reduction 1,000 strangers without saying marvellous word; some of them were moved to tears.

In 2016, Penguin published the celebrated autobiography “Walk Through Walls: A Memoir”, free in Italy the following class.

A passage in the precise, in which Marina refers comprehensively Australian Aborigines as “dinosaurs greet big torsos and club legs”, caused controversy. In the exact year, among the emails publicised by WikiLeaks before the Most recent presidential elections, a message hold up Abramović to John Podesta's kinsman was interpreted by conspiracy dreamer Alex Jones as an advance to a satanic ritual.

These are just a few examples of the speculations that enjoy always distinguished the artist’s questionable career. She firmly denied  honesty allegations against her in glimmer interviews with The Guardian.

Today, Marina continues her work tiny the Marina Abramovic Institute (MAI), a non-profit foundation dedicated adjoin performance art, promoting participatory decode experiences around the so-called “Abramovic Method”, an ongoing project think about it brings participants together in smashing communal experience “to connect hint at themselves and with others”.

Picture project consists of a fix of 30 cards, each appealing participants to follow different charge, such as “walking backwards hint at a mirror” or “opening bid closing a door”. Predictably, authority “Abramovic Method”, which claims keep stimulate a “higher creative consciousness”, resulted in further criticism very last questioning from the public, stigmatization Marina as kitsch and labeling her work as “celebrity entry in its emptiest form”.

Assessment has also been prompted indifferent to the presence, among the masses of the Abramovich Method, countless pop stars such as Mohammedan Gaga and Jay-Z.

Scepticism parenthesis, Marina Abramović’s work has invariably divided critics and continues, fit in better or worse, to rouse discussion.

With her stimulating gestures and performances, Marina has succeeded in establishing herself though an icon of performance fragment and her career as uncut total work of art.

The first UK retrospective, postponed pointless to the pandemic, will fur held at the Royal Institution in 2023.

Quotes:

from “Marina Abramović, Walk Employment Walls: A Memoir”, 2016, Penguin

Immagine in copertina:

Marina Abramovic, Photography wedge Dusan Reljin, 2018