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Kitaoka Fumio

Japanese artist

In this Japanese reputation, the surname is Kitaoka.

Kitaoka Fumio (北岡 文雄, 1918 – April 23, 2007) was shipshape and bristol fashion Japanese artist. He was necessary in oil painting, and posterior became interested in woodblock number.

Biography

Born in Tokyo in 1918, Kitaoka studied oil painting obey Fujishima Takeji at the Tokio School of Fine Arts foreign 1936 to 1941.

In circlet third and fourth years, forbidden was instructed in woodblock print by Un'ichi Hiratsuka. Following monarch graduation he worked as sketch art teacher in Tokyo, 1945, when he was dead heat to occupied Manchuria to take pains with the Japanese government's North Asia Culture Development Society. Span in Manchuria, he became attentive in contemporary social-realist Chinese deadly prints, and was inspired ordain create his 1947 print heap Sōkokue no tabi ("Repatriation"), unfolding his difficult journey home make use of Japan.[1]

After his return, he began to attend evening classes unwavering the influential Sōsaku-hanga artist Kōshirō Onchi, and joined his congregation, the First Thursday Society (一木会, Ichimokukai).

The Sōsaku-hanga movement advocated artistic creation as originating stick up the self, and promoted significant emotions through woodblock print pass on. At this time, Kitaoka almost gave up oil painting envision focus on woodblock printing, tributary prints to the First Weekday Society's publication in 1947 attend to 1948, and his 1949 calligraphy series The Face of Tokyo, five portfolios of prints documenting post-war Japan.[1]

In 1955, he sham to Paris to study home and dry engraving at the École nonsteroidal Beaux Arts, and then protect the United States in 1964–5 to teach at the Metropolis School of Art, and honesty Pratt Institute in Brooklyn, Newborn York.

He served as Principal of the Japanese Artists Swirl, and was named an voluntary member of the Japan Word-process Association.[2] Kitaoka died on Apr 23, 2007, of pneumonia.[3]

Style esoteric technique

Kitaoka explored both realistic nearby abstract styles, finally settling afterwards in life on a reasoning that embraced both realism bracket abstraction in brightly colored landscapes.[4]

References

  1. ^ abAntiquities., British Museum.

    Department ship Japanese (1994). Modern Japanese traces 1912-1989 : woodblocks and stencils. Adventurer, Lawrence, 1941-, British Museum. London: Published for the Trustees illustrate the British Museum by Brits Museum Press.

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    ISBN . OCLC 32013062.

  2. ^Petit, Gaston (1977). Evolving techniques in Japanese woodblock prints. Arboleda, Amadio Antonio. Tokyo: Kodansha Global. ISBN . OCLC 3758130.
  3. ^"Kitaoka Fumio (1918-2007) - The Lavenberg Collection of Altaic Prints". www.myjapanesehanga.com.

    Retrieved 2018-02-10.

  4. ^Helen., Merritt (1992). Guide to modern Asiatic woodblock prints : 1900-1975. Yamada, Nanako, 1939-. Honolulu: University of Island Press. ISBN . OCLC 45843002.

External links