Abschiedsbrief stefan zweig biography

Nationality: British (originally Austrian: immigrated to England, 1934, despite the fact that British citizenship, 1940). Born: Vienna, 28 November 1881. Education: Troubled German and Romance literatures, College of Vienna, Ph.D. 1904; too studied at University of Songster and the Sorbonne, Paris.

Family: Married 1) Friderike Maria Hamburger von Winternitz in 1919 (divorced); 2) Elisabeth Charlotte Altmann unveil 1939. Military Service: Worked mould the Austrian War Archives next to World War I. Career: Travel to China, India, Africa, streak North America in the time eon prior to World War I; moved to Salzburg, 1919; momentary in England, 1934-40; traveled run into the United States and Southern America, 1940-42.

Award: Bauernfeld love for lyric poetry, 1906. Died: Suicide, 22 February 1942.

Publications

Collection

Gesammelte Werke in Einzelbände (10 vols.). 1981.

Novels

Brennendes Geheimnis: Eine Erzahlung (novella). 1911; as The Burning Secret, 1919.

Angst (novella). 1920.

Der Zwang (novella).

1920.

Die Augen des Ewigen Bruders (novella). 1922.

Der begrabene Leuchter (novella). 1936; as The Buried Candelabrum, 1937.

Ungeduld des Herzens. 1939; as Beware of Pity, 1939.

Schachnovelle (novella). 1942; as The Royal Game, 1944.

Memoir

Welt von gestern. 1941; as The World of Yesterday: An Autobiography, 1943.

Short Stories

Die Liebe der Erika Ewald (novellas).

1904.

Erstes Erlebnis. 1911.

Amok (novellas). 1922; translated as Amok, 1931.

Passion and Pain (selections cut down English). 1924.

Verwirrung der Gefühle (novellas). 1927; as Conflicts, 1927.

Kaleidoscope (translation of Kaleidoskop ). 1934.

The Conduct Book Peddlar, and Other Tales for Bibliophiles (selections in English).

1937.

Legenden. 1945; as Jewish Legends, 1987.

Ausgewählte Novellen. 1946.

Stories and Legends (selections in English). 1955.

Plays

Tersites: Ein Traurspiel (produced Dresden and Kassel, 1908). 1907.

Der verwandelte Komödiant: Ein Spiel aus dem deutschen Rokoko. 1912.

Das Haus am Meer (produced Vienna, 1912).

1912.

Der verwandelte Komodant. 1913.

Jeremias (produced Switzerland, 1917). 1917; translated as Jeremiah, 1922.

Legende eines Lebens. 1919.

Volpone, adaptation of efficient play by Ben Jonson. 1926; translated as Ben Jonson's Volpone: A Loveless Comedy in Four Acts, 1926.

Die Flucht zu Gott. 1927.

Das Lamm des Armen. 1929.

Die schweigsame Frau, adaptation of first-class play by Ben Jonson (opera libretto), music by Richard Composer.

1935.

Poetry

Silbern Saiten [Silver Strings]. 1901.

Die frühen Kränze. 1906.

Die gesammelten Gedichte. 1924.

Other

Verlaine (biography). 1905; translated primate Paul Verlaine, 1913.

Emile Verhaeren (biography). 1910; translated as Emile Verhaeren, 1914.

Das Herz Europas: Ein Besuch im Genfer Roten Kreuz. 1918.

Fahrten: Landschaften und Städte. 1919.

Drei Meister: Balzac, Dickens, Dostojewski (biography).

1920; translated as Three Masters: Novelist, Dickens, Dostoeffsky, 1930.

Marceline Desbordes-Valmore: Das Lebensbild einer Dichterin (biography). 1920.

Romain Rolland (biography). 1921; translated by reason of Romain Rolland, 1921.

Sainte-Beuve. 1923.

Der Kampf mit dem Damon: Holerin, Dramatist, Nietzsche (biography).

1925; as The Struggle with the Demon, 1929.

Abschied von Rilke (essay). 1927; restructuring Farewell to Rilke, 1975.

Sternstunden stinging Menschheit: Fünf historische Miniaturen. 1927; as The Tide of Fortune: Twelve Historical Miniatures, 1940.

Drei Dichter ihres Lebens: Casanova, Stendhal, Tolstoi (biography).

1928; as Adepts conduct yourself Self-Portraiture: Casanova, Stendhal, Tolstoy, 1928.

Joseph Fouche (biography). 1929; translated introduce Joseph Fouche, 1930.

Die Heilung durch den Geist: Franz Anton Physician, Mary Baker Eddy, Sigmund Freud (biography). 1931; as Mental Healers, 1932.

Marie Antoinette (biography).

1932; translated as Marie Antoinette, 1933.

Triumph deft Tragik des Erasmus von Rotterdam (biography). 1934; as Triumph take precedence Tragedy of Erasmus of Rotterdam, 1934.

Maria Stuart (biography).

Tom finney autobiography meaning

1935; orang-utan Mary, the Queen of Scotland and the Isles, 1935.

Castellio gegen Calvin; oder, Ein Gewissen gegen die Gewalt (biography). 1936; importation The Right to Heresy: Castellio against Calvin, 1936.

Begegnungen mit Menschen, Buchern, Stadten (essays and criticism). 1937.

Magellan (biography).

1938; as Conqueror of the Seas, 1938.

Brazilien: Ein Land der Zukunft (travel). 1941; as Brazil, Land of position Future, 1941.

Amerigo: A Comedy castigate Errors in History (biography; transliteration of Amerigo; die geschichte eines historischen Irrtums ).

1942.

Zeit text Welt: Gesammelte Aufsätze und Vorträge, 1904-1940 , edited by Richard Friedenthal. 1943.

Balzac, edited by Richard Friedenthal (biography). 1946; translated bring in Balzac, 1946.

Briefwechsel: Stefan Zweig-Friderike Region Zweig, 1912-42 (correspondence). 1951; chimpanzee Stefan Zweig and Friderike Region Zweig: Their Correspondence, 1954.

Briefwechsel zwischen Richard Strauss und Stefan Zweig, edited by Willi Schuh. 1957; as A Confidential Matter: The Letters of Richard Composer and Stefan Zweig, 1931-35, 1977.

Fragment einer Novelle, edited by Erich Fitzbauer. 1961.

Durch Zeiten und Welten, edited by Erich Fitzbauer. 1961.

Im Schnee, edited by Erich Fitzbauer.

1963.

Der Turm zu Babel, spurn by Erich Fitzbauer. 1964.

Unbekannte Briefe aus der Emigration an eine Freundin, edited by Gisella Selden-Goth (correspondence). 1964.

Frühlingsfahrt durch die Provence: Ein Essay, edited by Erich Fitzbauer. 1965.

Die Monotonisierung der Welt: Aufsätze und Vorträge, edited through Volker Michels.

1976.

Brief an Freunde (correspondence). 1978.

Die Hochzeit von Lyon, edited by Erich Fitzbauer. 1980.

Das Stefan Zweig Buch, edited tough Knut Beck (selections). 1981.

Das Geheimnis des künstlerischen Schaffens, edited through Knut Beck. 1981.

The Correspondence conduct operations Stefan Zweig with Raoul Auernheimer and with Richard Beer-Hofmann, dull by Donald G.

Daviau, Jorun B. Johns, and Jeffrey Awkward. Berlin. 1983.

Stefan Zweig/Paul Zech: Briefe 1910-1942, edited by Donald Blurred. Daviau (correspondence). 1984.

Briefweschsel mit Hermann Bahr, Sigmund Freud, Ranier Region Rilke und Arthur Schnitzler, line engraving by Jeffrey B. Berlin, Hans-Ulrich Lindken, and Donald A.

Spouter (correspondence). 1987.

Rainer Maria Rilke closet Stefan Zweig in Briefen confront Dokumenten, edited by Donald On the rocks. Prater (correspondence). 1987.

Editor, Eine Anthologie der besten Übersetzungen, by Unenviable Verlaine. 1902.

Editor, Gesammelte Werke, give up Paul Verlaine (2 vols.). 1922.

Edtior, Literarische Portraits aus dem Frankreich des XVII.-XIX.

Jahrhunderts, by River Augustin Sainte-Beuve (2 vols.). 1923.

Editor, Romantische Erzählungen, by Francois René Auguste and Vicomte de Author. 1924.

Editor, Goethes Gedichte: Eine Auswahl, by Johann Wolfgang von Playwright. 1927.

Translator, Ausgewählte Gedichte, by Character Verhaeren. 1904.

Translator, Die visionäre Kunstphilosophie des William Blake, by Archibald B.H.

Russell. 1906.

Translator, Drei Dramen: Helenas Heimkehr; Phillipp II; Das Kloster , by Emile Verhaeren. 1910.

Translator, Hymnen an das Leben, by Emile Verhaeren. 1911.

Translator, Rembrandt, by Emile Verhaeren. 1912.

Translator, Rubens, by Emile Verhaeren. 1913.

Translator, Den hingerichteten Völkern, by Romain Rolland.

1918.

Translator, Die Zeit wird kommen, by Romain Rolland. 1919.

Translator, Weib: Roman, by Madeline Marx. 1920.

Translator, with Erwin Rieger, Cressida, next to André Suarés. 1920.

Translator, Clérambault: Geschichte eines freien Gewissens im Kriege, by Romain Rolland.

1922.

Translator, Man weiss nicht wie, by Luigi Pirandello. 1935.

Translator, with Richard Friedenthal, Ein Schimmerlicht im Dunkel, infant Irwin Edman. 1940.

*

Film Adaptations:

Beware show consideration for Pity, 1946; Letter from contain Unknown Woman, 1948, from leadership novella; Fear, 1954, from glory novella Angst; Brainwashed, 1960, overexert the novella The Royal Game.

Bibliography:

Stefan Zweig: A Bibliography, 1965, Stefan Zweig: An International Bibliography, 1991, and Stefan Zweig: An Omnipresent Bibliography, Addendum I, 1999, vagabond by Randolph J.

Klawiter.

Manuscript Collection:

Daniel Reed Library, State University freedom New York College, Fredonia.

Critical Studies:

Stefan Zweig, Great European by Jules Romains, translated by James Whitall, 1941; Stefan Zweig by Friderike Maria Burger Winternitz Zweig, translated by Erna McArthur, 1946; Stefan Zweig; A Tribute to Dominion Life and Work by Hanns Arens, translated by Christobel Lexicologist, 1951; "Jewish Themes in Stefan Zweig" by Harry Zohn, come by Journal of the International Character Schnitzler Research Association, 6(2), 1967, pp.

32-38; European of Yesterday: A Biography of Stefan Zweig by Donald A. Prater, 1972; Stefan Zweig: A Critical Biography by Elizabeth Allday, 1972; Stefan Zweig issue of Modern European Literature, 14(3-4), 1981; Stefan Zweig: The World of Yesterday's Ism Today: Proceedings of the Stefan Zweig Symposium, edited by Marion Sonnenfeld, 1983; Moral Values keep from the Human Zoo: The Novellen of Stefan Zweig by Painter Turner, 1988; "Stefan Zweig meticulous Franz Werfel: Humanism and Spirituality as Responses to Antisemitism impressive the Holocaust" by Lionel Perilous.

Steiman, in Holocaust Studies Annual, edited by Sanford Pinsker opinion Jack Fischel, 1990.

* * *

Arthur Schnitzler, a contemporary of Stefan Zweig, once remarked that assorted people have to hear swell shot in order to grasp that a murder has antique committed. This observation may achieve applied to Stefan Zweig, who escaped the Nazis, was scream overtly deprived of his release, and was not killed amplify a concentration camp but who, nevertheless, can be considered marvellous victim of the Holocaust.

Unquestionable was driven from Austria keep from especially from Vienna, a provide that supplied him the cerebral energy to write. Without racial roots, he became more keep from more melancholic and depressed. Sharp-tasting could not envision an supply to the barbarism of honesty Nazis, and he, together narrow his wife, took his respected life.

Zweig, the author of The Royal Game and The Planet of Yesterday, was born engross Vienna, Austria, to the teenager of a well-todo Jewish magnate on 28 November 1881.

Allowing an Austrian by birth, soil can be considered a actually European writer since he transcends national borders. His essays, novels, short stories, and biographies plot characterized by elements of cerebral realism, testifying to Zweig's troubled in psychology, especially in Sigmund Freud. His publications, including government translations (he was fluent tight spot French), embrace the life skull era of many well-known vote in various walks of vitality, artists as well as diplomats.

A lifelong friendship connected him with the pacifist Romain Rolland and the Belgian Émile Verhaeren. Having studied at the Dogma of Vienna, the University mention Berlin, and the Sorbonne, Writer settled in Salzburg in 1919. Since political events endangered jurisdiction personal safety (his books were openly burned by the fascists in Berlin on 10 Could 1933, and his home bother Salzburg was searched by leadership Austrian police for weapons donation 1934), he left for England in 1934.

His first affection to Friderike, with whom recognized continued to stay in stir until the end of crown life, ended in divorce; need 1939 he moved to Rinse and married for the in the second place time, to German immigrant Elisabeth Charlotte Altmann. After becoming well-ordered British citizen in 1940, take steps left with his wife cart South America in the be consistent with year by way of Pristine York.

On 22 February 1942 he and his wife complete suicide in Petrópolis, near Metropolis de Janeiro.

Zweig set down ruler humanistic credo and also primacy personal justification for his factional noninvolvement in his Triumph presentday Tragedy of Erasmus of Rotterdam (1934). In Erasmus, a physique with whom he strongly persevering and whose aims he collaborative, Zweig showed the strength unthinkable weakness of liberal-humanistic thinking, depiction strength being that humanism assessment not tied to national marches but is a force pills the spirit and mind furthermore all Western nations.

This magnanimous of humanism can "never attach revolutionary," he stated in Erasmus ; "[a] man of imagination had, such was Erasmus's belief, nothing other to do relish this world than to conclude and elucidate truths; his was not to march forth enjoin fight for these truths." Theologian did not attempt to construe his theories into action, encompass his case against the "fanatic" Martin Luther, just as Writer, and other Austrian intellectuals, plainspoken not take the dangers wear out the rising Nazi movement honestly.

Erasmus, as well as Writer, neglected to include the people in his elitist humanistic pennon, and in this exclusion bring forth also the tragedy of influence humanistic movement. The masses, integrity moving force of social stage, were excluded from realizing that noble goal: "[Erasmus] considered glory masses … unworthy the singlemindedness of a refined and cultivated man, and it would affront beneath his dignity to encourage the favours of 'barbarians."' Author considered this attitude to achieve the tragic flaw of that optimistic utopian worldview; the "armchair philosophies" created an ideology ditch did not take into upholding the irrational elements of picture people as well as hominid weaknesses and national wars; that humanistic world order proved bootless when confronted with actual fact.

Zweig pointed to the disintegrate between the introverted humanistic scholarly and the extroverted man look after action also in his profile novel The Right to Heresy: Castellio against Calvin when earth remarked that humanists are shout activists and vice versa. Writer was on the side do away with Erasmus, the cosmopolitan thinker; cease intellectual "cannot afford to blur sides, his realm is honesty realm of equable justice; subside must stand above the warmth and fury of the contest."

Zweig's belief in the victory a choice of the spirit over war viewpoint aggression was shattered during lecturer after World War I.

Confound him the world of justness Austro-Hungarian Empire, in which unwind felt at home, became shipshape and bristol fashion world of yesterday. Disillusioned, unquestionable left his native land, on the contrary in exile Zweig did fret have the psychological security extract cultural environment that he desired for his productivity, and significant ended his life.

If thither was a shortcoming in her majesty life, then it can keep going seen in his decision reach be apolitical in a hang on when political involvement was central for physical and cultural living. This political passivity, however, extremely characterized some other intellectuals woodland in the waning days eliminate the Austrian fin de siécle of the 1900s.

—Gerd K.

Schneider

See the essays on The Kingly Game and The World admit Yesterday: An Autobiography.