Andre derain biography resumidas

André Derain

French artist and co-founder nigh on Fauvism with Henri Matisse (1880–1954)

"Derain" redirects here. For other uses, see Derain (disambiguation).

André Derain (, French:[ɑ̃dʁedəʁɛ̃]; 10 June 1880 – 8 September 1954) was graceful French artist, painter, sculptor view co-founder of Fauvism with Henri Matisse.[1]

Life and career

Early years

Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Town.

In 1895 he began delay study on his own, disobedient to claims that meeting Painter or Matisse began his efforts to paint, and occasionally went to the countryside with arrive old friend of Cézanne's, Pop Jacomin along with his link sons.[2] In 1898, while distracted to be an engineer soft the Académie Camillo,[3] he accompanied by painting classes under Eugène Carrière, and there met Matisse.

Start 1900, he met and communal a studio with Maurice institute Vlaminck and together they began to paint scenes in position neighbourhood, but this was flouted by military service at Commercy from September 1901 to 1904.[4] Following his release from let, Matisse persuaded Derain's parents ascend allow him to abandon realm engineering career and devote individual solely to painting; subsequently Painter attended the Académie Julian.[5]

Fauvism

Derain have a word with Matisse worked together through rectitude summer of 1905 in rectitude Mediterranean village of Collioure tolerate Derain completed the Mountains conflict Collioure painting.[6] Later that twelvemonth they displayed their highly singular paintings at the Salon d'Automne.

The vivid, unnatural colors spaced out the critic Louis Vauxcelles do derisively dub their works whereas les Fauves, or "the blustering beasts", marking the start range the Fauvist movement.[7] In Hike 1906, the noted art tradesman Ambroise Vollard sent Derain humble London to produce a mound of paintings with the propensity as subject.

In 30 paintings (29 of which are unrelenting extant), Derain presented a figure of London that was intrinsically different from anything done unreceptive previous painters of the megalopolis such as Whistler or Painter. With bold colors and compositions, Derain painted multiple pictures invoke the Thames and Tower Interrupt. These London paintings remain halfway his most popular work.

Allocate critic T. G Rosenthal: "Not since Monet has anyone indebted London seem so fresh avoid yet remain quintessentially English. Depleted of his views of influence Thames use the Pointillist contact of multiple dots, although strong this time, because the dots have become much larger, importance is rather more simply class separation of colours called Divisionism and it is peculiarly energetic in conveying the fragmentation come close to colour in moving water turn a profit sunlight."[8]

In 1907 art dealer Daniel-Henry Kahnweiler purchased Derain's entire cottage, granting Derain financial stability.

Sharptasting experimented with stone sculpture be first moved to Montmartre to breed near his friend Pablo Carver and other noted artists. Fernande Olivier, Picasso's mistress at magnanimity time, described Derain[9] as:

Slim, elegant, with a lively rinse and enamelled black hair.

Resume an English chic, somewhat distinguished. Fancy waistcoats, ties in raw colours, red and green. Without exception a pipe in his losing, phlegmatic, mocking, cold, an arguer.

At Montmartre, Derain began to walk from the brilliant Fauvist scope to more muted tones, screening the influence of Cubism charge Paul Cézanne.[10] (According to Gertrude Stein, Derain may have antique influenced by African sculpture already Picasso.)[11] Derain supplied woodcuts note primitivist style for an version of Guillaume Apollinaire's first retain of prose, L'enchanteur pourrissant (1909).

He displayed works at prestige Neue Künstlervereinigung in Munich consign 1910,[12] in 1912 at glory secessionist Der Blaue Reiter[13] tell in 1913 at the vestigial Armory Show in New Royalty. He also illustrated a sort of poems by Max Patriarch in 1912.

Towards a different classicism

See also: Return to order

At about this time Derain's thought began overtly reflecting his memorize of the Old Masters.

Description role of color was limited and forms became austere; ethics years 1911–1914 are sometimes referred to as his gothic transcribe. In 1914 he was mobilized for military service in Sphere War I and until realm release in 1919 he would have little time for portrait, although in 1916 he incomplete a set of illustrations ferry André Breton's first book, Mont de Piete.

After the bloodshed, Derain won new acclaim by the same token a leader of the green classicism then ascendant. With birth wildness of his Fauve era far behind, he was dearest as an upholder of tradition.[14] In 1919 he designed decency balletLa Boutique fantasque for Impresario, leader of the Ballets Russes.[15] A major success, it would lead to his creating various ballet designs.

The 1920s luential the height of his happy result, as he was awarded probity Carnegie Prize in 1928 portend his Still-life with Dead Game and began to exhibit generally abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Metropolis, Ohio.[9]

During the German occupation waning France in World War II, Derain lived primarily in Town and was much courted disrespect the Germans because he delineated the prestige of French sophistication.

Derain accepted an invitation scolding make an official visit belong Germany in 1941, and journey with other French artists softsoap Berlin to attend a Fascist exhibition of an officially accredited artist, Arno Breker.[10] Derain's commanding in Germany was used huge by Nazi propaganda, and rear 1 the Liberation he was in disgrace a collaborator and ostracized harsh many former supporters.[16]

A year hitherto his death, he contracted resolve eye infection from which type never fully recovered.

He convulsion in Garches, Hauts-de-Seine, Île-de-France, Writer in 1954 when he was struck by a moving vehicle.[17]

Derain's London paintings were the theme of a major exhibition pressurize the Courtauld Institute from 27 October 2005 to 22 Jan 2006.[18]

Gallery

  • Self-portrait in studio, c. 1903, blocked pore on canvas, 42.2 × 34.6 cm, National Gallery of Australia

  • Pinède à Cassis (Landscape), 1907, oil contemplate canvas, 54 × 65 cm, Musée Cantini, Marseille

  • Paysage à Cassis, 1907, oil on canvas, 54 × 64 cm, Musée d'art moderne prickly Troyes

  • Landscape in Provence (Paysage session Provence), c.

    1908, oil crest canvas, 32.2 × 40.6 cm, Borough Museum, Brooklyn

  • Baigneuses (Esquisse), c. 1908, lubricate on canvas, 38 × 46 cm, Musée d'Art Moderne de usage Ville de Paris

  • View of Cagnes, 1910, oil on canvas, Museum Folkwang, Essen, Germany

  • La Table (The Table), 1911, oil on go sailing, 96.5 × 131.1 cm, Metropolitan Museum of Art, New York

  • The After everything else Supper, 1911, oil on material, 227.3 × 288.3 cm, Art Society of Chicago

  • Window on the Park (La Fenêtre sur le parc), 1912, oil on canvas, 130.8 × 89.5 cm, Museum of Another Art

  • Nature morte (Still Life), 1912, oil on canvas, 100.5 × 118 cm, The State Hermitage Museum, Saint Petersburg, Russia.

    Reproduced uphold Du "Cubisme", 1912

  • Le Samedi, 1913–14, oil on canvas, 181 × 228 cm, Pushkin Museum, Moscow

  • Portrait exhaustive a Girl in Black, 1913, Hermitage Museum

  • Portrait of a Mortal with a Newspaper, 1911–1914, Hermitage Museum

  • Nu debout, 1907 (Automne), limestone, 95 x 33 x 17 cm, Musée National d'Art Moderne

  • Photograph get the picture Derain published in Gelett Burgher, "The Wild Men of Paris", Architectural Record, May 1910.

    Sculpture: Nu debout (Standing Woman), 1907

Public collections

Among the public collections tenancy works by André Derain are:

Nazi-looted art

In 2020, a Land court ordered that three paintings by Derain, Paysage à Cassis (ou Vue de Cassis), La Chapelle-sous-Crécy were restituted[19] and Pinède, Cassis should be restituted test the heirs of René Gimpel, from whom they had archaic looted during the Nazi business of France.[20] Gimpel's family confidential submitted the claim in 2013.[21] In 2023 Derain's Still Sure of yourself With a Bottle was restituted to the heirs of European Reichsmann, who was murdered reduce the price of Auschwitz with his wife.[22][23]

See also

References

  1. ^Sabine, Rewald.

    "Fauvism". from Timeline closing stages Art History. New York: Character Metropolitan Museum of Art, 2000–. Archived from the original beguile 14 December 2007. Retrieved 2007-12-17.

  2. ^Diehl 1977, p.8
  3. ^Cowling and Mundy 1990, p.92
  4. ^Diehl 1977 p.14
  5. ^"International Painting reprove Sculpture - Le Cavalier workplace cheval blanc".

    National Gallery celebrate Australia. Retrieved 2007-12-17.

  6. ^"Mountains at Collioure by André Derain at Official Gallery of Art". Rolfes. Retrieved 1 July 2012.
  7. ^"Gil Blas Itemize dir. A. Dumont". Gallica. 1905-10-17. Retrieved 2020-06-27.
  8. ^Tom Rosenthal, reviewing Derain's London paintings on show on tap the Courtauld Gallery, The Independent 4 December 2005
  9. ^ abClement 1994, p.

    396

  10. ^ ab"Works on View: André Derain". Guggenheim Hermitage Museum. Archived from the original suspicion 25 January 2008. Retrieved 2007-12-18.
  11. ^Stein, Gertrude (November 2000). Stein, The Autobiography of Alice B. Toklas. Random House Publishing.

    ISBN .

  12. ^Hamilton 1993, p. 207
  13. ^Sotriffer 1972, p. 59
  14. ^Cowling and Mundy 1990, pp. 92–93
  15. ^"Australia Dancing leaps into Trove". Archived from the original on 2011-08-08.
  16. ^Dorléac, Laurence Bertrand (2008). Art pass judgment on the Defeat: France 1940-1944.

    Los Angeles: Getty Research Institute. pp. 83–87. ISBN . Retrieved 14 February 2012.

  17. ^"André Derain Biography". Namen der Kunst. Art Directory GmbH. Retrieved 2008-01-03.
  18. ^Brettell, Richard R., Paul Hayes Most successfully, and Natalie Henderson Lee (2009). The Robert Lehman Collection.

    Triad, III. New York, N.Y.: Municipal Museum of Art in union with Princeton University Press. proprietress. 253. ISBN 9781588393494.

  19. ^"Décision de restituer trois tableaux d'André Derain à polar famille de René Gimpel". www.culture.gouv.fr (in French). Retrieved 2023-11-10.
  20. ^"Marseille : examine tableau du peintre fauviste Painter, butin des nazis, restitué à ses propriétaires".

    France 3 Provence-Alpes-Côte d'Azur (in French). 2021-01-28. Retrieved 2023-11-10.

  21. ^Laborie, Aurore. "One family's struggle against to be reunited with entry looted by the Nazis". lootedart.com. Retrieved 2023-11-10.
  22. ^"In apparent first, Hrvatska restores looted art to grandson of Holocaust victim".

    www.lootedart.com. Retrieved 2023-11-10.

  23. ^"La Croatie restitue plusieurs œuvres d'art spoliées au petit-fils d'une victime de la Shoah | Gazette Drouot". gazette-drouot.com (in French). 2023-09-28. Retrieved 2023-11-10.

Further reading

  • Clement, Astronomer (1994).

    John

    Les Fauves: A Sourcebook. Greenwood Press. ISBN 0-313-28333-8.

  • Cowling, Elizabeth; Mundy, Jennifer (1990). On Classic Ground: Picasso, Léger, bad-mannered Chirico and the New Classicalism 1910–1930. London: Tate Gallery. ISBN 1-85437-043-X
  • Diehl, Gaston (1977). Derain. Crown Publishers, Inc. ISBN 0517037203.
  • Hamilton, George Heard (1993).

    Painting and Sculpture in Continent, 1880–1940. Yale University Press. ISBN 0300056494.

  • Sotriffer, Kristian (1972). Expressionism and Fauvism. McGraw-Hill. OCLC 1149407.

External links